Thursday, May 25, 2017
Born as an artistic movement around 1919, Russian Constructivism proposed the ideology of “production art”, that is, art with a social meaning and practical purpose. Stemming from a series of debates and collaborations in INHUK and Vkhutemas*, it counted self-professed “artists-engineers” Vladimir Tatlin, Alexander Rodchenko, Varvara Stepanova and Lyubov Popova among its most passionate advocates. Their extensive work was geared towards a total re-organisation of life and a new form of artistic expression available to the masses, and, unsurprisingly, involved various creative areas, including fashion.
Normally I don't note artists' deaths but Popova was one of the most talented artists who died during the chaos after the Russian Revolution. Given how little encouragement she was given by the new regime and how harsh life was, it's a miracle that we have any of her work. May 25, 1924. Lyubov Sergeyevna Popova was a Russian avant-garde artist (Cubist, Suprematist and Constructivist), painter and designer. She was also a rarity in the highly masculine world of Soviet art. In 1918 Popova married the art historian Boris von Eding, and gave birth to a son. Von Eding died the following year of typhoid fever. Popova was also seriously ill but recovered. In this image: Air+Man+Space, 1912.
First, a brief biography: Liubov Popova was born in 1889. Her father was a textile merchant and performing arts patron, and her mother belonged to a prominent, cultured family. She studied at private art studios in Moscow beginning in 1907, making lifelong friendships with future members of the Constructivist group.
Popova traveled extensively during the pre-World War I period, absorbing past and present art: Mikhail Vrubel’s religious Symbolism from the 1880s at the Church of St. Cyril, Kiev (1909); early Renaissance painting during lengthy trips throughout Italy (1910 and 1914); medieval icon painting in Novgorod, Pskov, and other ancient Russian cities (1910-12); the Hermitage Museum in St. Petersburg (1911); and Sergei Shchukin’s collection of modern French masters (1912); She and Nadezha Udaltsova lived together in Paris (1912-13), studying at La Palette under Cubists Jean Metzinger and Henri Le Fauconnier, where additionally, she first saw Futurist art and was particularly inspired by Boccioni. In 1916 she explored Islamic architecture in Samarkand, Uzbekistan.
Since she was rediscovered in the ‘70s, Popova has benefited from much scholarly research and several excellent museum exhibitions and monographs. The exhibitions have included liubov popova at the Museum of Modern Art, New York, 1991, which traveled through 1992; Amazons of the Avant-Garde at the Guggenheim Museum, New York, which traveled from 1999-2001; Rodchenko and Popova: Defining Constructivism at Tate Modern, London, 2009, which traveled into 2010; and Women’s Power: Sisters of the Revolution, Russia 1907–1934 at the Groninger Museum, Netherlands, 2013.
In 1924, her young son died of scarlet fever during another virulent epidemic, and Liubov Popova died four days later, at age 35. She was vivacious, audacious, and passionately political, a meteor. After Lenin’s death in 1924 and Stalin’s subsequent rise to power, Popova’s colleagues either emigrated or adapted to the changed circumstances, producing the Socialist Realist art demanded by the regime. She was never faced with that choice. Joyce Kozloff, Hyperallergic
Wednesday, May 24, 2017
Madonna, Christ, John the Baptist, yes. But those faces -- so totally Pontormo! Born on this day 1494.
|Deposition from the Cross, 1525-1528|
The Getty here. http://www.getty.edu/art/collection/artists/499/pontormo-jacopo-carucci-italian-florentine-1494-1557/
Tuesday, May 23, 2017
Flickr has sent you a message on Flickr.
Date: May 22nd, 2017
If you haven’t heard, Yahoo plans to sell its operating business, including Flickr, to Verizon Communications Inc. We anticipate the completion of the transaction to occur in June 2017. Upon the completion of this proposed transaction, Yahoo products and services, including Flickr, will be provided by a new Verizon-owned company called Yahoo Holdings, Inc.
In connection with this proposed transaction, Yahoo is updating its Terms of Service. You can review the changes by visiting our Terms of Service
These updated terms will automatically be effective on June 8, 2017, unless you cancel your Yahoo account before then.
That’s it! We look forward to continuing to deliver your favorite products and services.
I think that if you use the new service, it would be important to read all the terms - seems like Yahoo can take and use your content without permission or pay and excuses itsefl from any lawsuit rising from their use of your work. In other words, let the buyer be very beware...
Yahoo terms of Service: https://policies.yahoo.com/us/en/yahoo/terms/utos/
Monday, May 22, 2017
Amalia Lindegren was born #onthisday in 1814. This striking portrait by her was added to the @NatMus_SWE in 2015 http://buff.ly/2qHIlBG
|Image scanned from the book "Svenskt Porträttgalleri XX - Arkitekter, Bildhuggare, Målare m.fl.|
Hubert Robert was born #onthisday in 1733. https://www.apollo-magazine.com/cavorting-amid-the-ruins-with-hubert-robert/ … @ngadc @MuseeLouvre
Blending fantasy and factual accuracy, Hubert Robert's views of classical and contemporary architecture were immensely popular during his lifetime. Robert was best known for his paintings of ruins. His immense, crumbling monuments of an often-imaginary past earned him the nickname, "Robert des Ruines" (Robert of the Ruins).
Robert's career developed in Europe's most refined art circles of the 1700s. He received a thorough classical education in Paris and in 1754, arrived in Rome in the entourage of a French ambassador. He spent the next eleven years in Italy and there, developed his fascination with ruins. Because of the relatively recent excavations at Pompeii and Herculaneum, the archaeological climate in Rome was especially rich. Robert also developed close ties to Italian artists, including Giovanni Battista Piranesi and Giovanni Paolo Panini, and each influenced his artistic vision. He also developed a strong friendship with his drawing partner, Jean-Honoré Fragonard.
Sunday, May 21, 2017
Master #printmaker and theoretician Albrecht Durer was #BOTD in 1471
Dürer is seen as the archetypal Renaissance artist of Northern Europe. He had unique skills of observation, was a master narrator and a superb technician. He visited Italy, and added interest in proportion and perspective to his Northern taste for surface detail.
He was a polymath - a writer and theoretician as well as a painter and graphic artist. Himself influenced by the work of Mantegna, Leonardo and Giovanni Bellini, he in turn influenced many Italian artists through his prints.