Wednesday, August 3, 2011
Kurt Schwitters: Color and Collage at the Berkeley Art Museum (part 2)
The multidisciplinary nature of Schwitters’s output, which can make a career survey look like a group show, may be one of the reasons he remains an little known figure. His sole American retrospective, at MoMA, was 25 years ago. Representative samplings of his art have since rarely been on view, there or elsewhere.
Yet he has had a huge effect on post-World War II artists and is revered by many. Two of the collages in the show are from Jasper Johns’s collection; two others are owned by Ellsworth Kelly. ...And a Schwitters effect, however indirect and unrecognized, can be spotted in much contemporary work. (Holland Cotter, NY TImes)
Part two of the review of the show in Berkeley: