I am working on a couple of longer posts but I found this on Sharon Butler's "Two Coats of Paint," and felt that it spoke to what I have been thinking about this year's SECA awards.
"My favorite quote from all the post-Miami anti-artworld posts that have gone online this week is this excerpt from Charles Saatchi's Comment in the Guardian. "If I stop being on good behaviour for a moment, my dark little secret is that I don't actually believe many people in the art world have much feeling for art and simply cannot tell a good artist from a weak one, until the artist has enjoyed the validation of others – a received pronunciation. For professional curators, selecting specific paintings for an exhibition is a daunting prospect, far too revealing a demonstration of their lack of what we in the trade call 'an eye.' They prefer to exhibit videos, and those incomprehensible post-conceptual installations and photo-text panels, for the approval of their equally insecure and myopic peers. This 'conceptualised' work has been regurgitated remorselessly since the 1960s, over and over and over again."