|from the Anderson Collection|
New additions to the Anderson Collection at Stanford: The new acquisitions are in keeping with the original collection of 121 works of post-World War II modern and contemporary American art by 86 artists given to Stanford by Harry W. “Hunk” and Mary Margaret “Moo” Anderson and their daughter, Mary Patricia “Putter” Anderson Pence, the Bay Area family which has been collecting art for over 50 years.
by Robin Wander
John Seed: Here are three "Arts and Culture" headlines I came across this morning on the web (from the LA Times, Huffpost and Artnet.com) Is anyone else getting depressed about the realities of art and culture coverage on the net?
Two of the comments: Call me old-fashioned, but when it comes to art criticism, I want to read/hear art historically-informed voices of authority and experience - not post grad school critical theorizing, or multi-syllabic subjective gobbledy-gook....And And I will not and do not accept the way things are now in the art world. I'll do my part to point out the emperors new clothes. I'm not alone. Perhaps you feel you don't have a right to openly dislike conceptual art, performance art, and art videos. I feel I have that right and they're in my world. (If you are on Facebook, check out the discussion. Art may not matter to a lot of people but it matters to these people and their comments are passionate and informed).
The Modern Art Notes Podcast: MoMA's Leah Dickerman discusses the Robert Rauschenberg retro she co-curated, then Ken Ashton on his new photobook on Portsmouth, Ohio.
|Not Kermit the Frog. What the experts at the British Museum think that ancient painting looked like.|
My comment: We have known for some time that the old sculptures were painted but those clumsy, garish colors do not do justice to the skill of the ancient artists. We have frescoes, mosaics, the Fayum portraits to show us how the ancients used colors and it wasn't that g-awful slathering of ugly colors.
From Mary Beard, Professor of Classics at Cambridge: "Were the sculptures painted? The short answer is ‘yes’. Much of the pure, gleaming white marble sculpture that we now admire was certainly coloured in some way. The question is how was it coloured: a delicate wash, or bright, glaring hues?" ...
"It’s a great, garish multi-colour spectacular. My question is quite how far you believe the details. Does the colouring of ancient statuary really mean this kind of bright, in-your-face, dazzle"….As always, the comments on her page are thoughtful and erudite.