Sunday, November 1, 2009

Oh to be in Philadelphia!

There's a knock out exhibit of Gorky in Philly which should cause a radical revision of his importance in modern art. As Richard Lacayo writes in Time Magazine:

"Is there another life in American art to compare to Arshile Gorky's? His arc from struggle to breakthrough to tragedy is slow, then swift, then dazzling and finally devastating. In the seven or so years before he took his life in 1948, he produced some of the greatest, most explosive works of the 20th century, a synthesis of Surrealism and abstraction that unlocked voluptuous new possibilities for painting and opened the way to Abstract Expressionism. It wasn't a long life, but it was lit by fire."

Fallon and Rostoff:

"To see the drawings (and the gorgeous and bold handling of line in them)–sometimes multiple drawings–preparatory to paintings is wondrous, at once belying the idea that the paintings are casual and improvisatory abstractionist expressions and belying the idea that the paintings are static reproductions of the drawing ideas."

Arshile Gorky, The Liver is the Cock’s Comb, c. 1943. Oil on canvas 73 ¼ x 98 in. Collection Albright-Knox Art Gallery, Buffalo, New York, Gift of Seymour H. Knox, 1956.,9171,1933224,00.html

1 comment:

Zoomie said...

I note that the painting you show is in the Albright-Knox in Buffalo. You'd love that museum, Nancy - I visited frequently when I lived in Rochester. So if you ever shuffle off to Buffalo, don't miss it!